Rock art and the transformation of history in the southwestern United States

Kelley A Hays-Gilpin, Dennis Gilpin

Research output: Contribution to journalArticle

Abstract

On the northern frontier of the Spanish colony of New Mexico in the 1600s, people from several cultural origins were pressed by slave raiding and other pressures to come together with a distinctive identity and culture known today as Navajo. They developed a distinctive and sustainable lifeway and cosmology. We argue that apparent shifts from sacred to secular imagery, and from timeless iconic spiritual imagery to biographical-style accounts of male prestige activities, are oversimplified interpretations of Navajo rock art. Navajo rock art expresses ethnogenesis, gender relations, and values through deliberate invention of a distinct series of styles and iconographies. Navajo rock art expresses strength and resilience in adapting to tensions and contradictions embedded in their history.

Original languageEnglish (US)
JournalAustralian Archaeology
DOIs
StatePublished - Jan 1 2019

Fingerprint

art
history
gender relations
slave
prestige
invention
resilience
Mexico
interpretation
History
Rock Art
Values
Imagery
Slaves
Prestige
Gender Relations
Spanish Colonies
Iconic
Ethnogenesis
Cosmology

Keywords

  • contact
  • North America
  • Rock art

ASJC Scopus subject areas

  • Archaeology
  • Archaeology

Cite this

Rock art and the transformation of history in the southwestern United States. / Hays-Gilpin, Kelley A; Gilpin, Dennis.

In: Australian Archaeology, 01.01.2019.

Research output: Contribution to journalArticle

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